She is no Elizabeth Bennet.
But then, Jane Austen hardly expected her new heroine to be admired. In regards to Emma Woodhouse, Austen remarked, “I am going to take a heroine whom no one but myself will much like.”
Spoiled Emma. Pretentious Emma. Dearest, most beloved Emma fails time and time again in her matchmaking ventures. Through these missteps, she learned a great deal. . . and so can her readers.
Continue reading “Lessons From Jane Austen in The Art Of Matchmaking”
Jane Austen’s matchmaking character illustrates the best practices of bringing good people together.
Emma Woodhouse repeatedly mismatched.
In fact, she arguably has few — if any —successful relationships to her credit. Still, she is worthy of analysis. For whose failures better to learn from than a heroine of sincere heart and unprecedented ambition?
This installment shares dos and don’ts to abide by in the art of matchmaking.
Continue reading “The Art of Matchmaking: Dos & Don’ts”
A guide to the talent of how to make a match.
Mr. Weston would never marry again.
Emma had witnessed a fondness between him and Miss Taylor ever since the day their paths crossed on Broadway-lane. Upon returning from their wedding, Emma boasts to her father and Mr. Knightley of how she “planned the match from that hour.”
“Where is your merit?” Mr. Knightley asks. “What are you proud of? You made a lucky guess; and that is all that can be said.”
“A lucky guess is never merely luck. There is always some talent in it. If I had not promoted Mr. Weston’s visits here, and given many little encouragements, and smoothed many little matters, it might not have come to any thing after all.”
This installment of The Art of Matchmaking provides a guide to the talent of how to make a match. Continue reading “The Art of Matchmaking: How To Make a Match”